The People
VISUAL EDGE
Douglas
R. Clifford is currently a working photojournalist with the St.
Petersburg Times. He joined the Times in 1998 and had previously worked
as a photojournalist with the smaller daily newspaper Hernando Today in
Hernando County, Florida, the Gainesville Sun, in Gainesville, Florida,
and the St. Louis Post-Dispatch, in St. Louis, Missouri. He studied and
earned a degree in journalism at the University of Florida, also in Gainesville,
Florida.
Kate
Collins – “After graduating with a BFA from Marywood
University in 1997, I was taken in by the photo staff of a mid-size Pennsylvania
daily, and taught what a news photo was. After three years as a stringer,
I somehow ended up at a small daily newspaper covering four rural counties
in central Pennsylvania. There, I shot everything from nighttime raccoon
hunts, to Amish dairy farms, to baptisms in the mighty Susquehanna River.
I also spent a lot of time 600 feet underground, documenting one of the
last family operated anthracite mines in Pennsylvania. I am excited by the
possibilities multimedia holds for still photographers.”
Aly
Colón is Poynter’s Reporting, Writing & Editing
Group Leader and the new Best Newspaper Writing Editor. He has been the
Ethics Group Leader and Diversity Program Director. He teaches ethical decision-making,
how to connect with under-covered communities and how to find, report, write
and edit the untold stories. He has written book chapters and articles about
ethics and diversity issues and writes regularly for Poynter Online, including
the “Talk about Ethics” column. He also edits the “Journalism
with a Difference” column. He explores diverse approaches to covering
news. He presents regularly at the National Writers Workshop. He edited
the Poynter Report. In his consulting work, he teaches about ethics, diversity,
writing and leadership. Prior to Poynter, he worked at The Seattle Times
as diversity reporter and coach. As a reporter, he focused on the “intersections”
where people of different races, cultures, gender, and abilities meet. As
coach, he helped reporters and editors address diversity issues. He also
was a Seattle Times assistant metro editor for urban affairs, health care,
ethics & values, religion and social issues. He worked at The Herald
in Everett, Wash., as an executive editor over both business and features
and at The Oakland Press in Pontiac, Mich. Some of Aly’s fellowships
include: a Knight-Bagehot Fellowship in business at Columbia University,
a National Endowment for the Humanities fellowship in ethics, Knight Center
for Specialized Journalism fellowships in health care and race, and a Robert
Bosch Study Fellowship on European unity and German reunification. He got
his B.A. in journalism from Loyola University in New Orleans and his M.A.
in journalism from Stanford University. His wife Sheila is a marketing research
consultant and a journalism educator. His 9-year-old daughter Christina
plays the violin. His 3-year-old Standard Poodle, Biscuit, runs outside,
sniffs the newspaper, then waits for Aly to pick it up.
Yvette
De La Garza is a content producer for the San Diego Union-Tribune
Website, Signonsandiego.com.
Robert David
Duncan, III, is a staff photographer with The News & Advance
in Lynchburg, VA. In addition to photography responsibilities, Duncan produces
audio and video stories for new multi-media content online. David graduated
with his B.F.A. degree in photography from Savannah College of Art &
Design in 1995. Personal projects include “Innocence Lost Lynchburg
9/11,” a five month multi-media project featuring audio interviews
with photographs, that was accepted into the Library of Congress’
American Folklife Center in 2003 and renamed “David Duncan September
11th Collection.” His 9/11 project was also featured in the 2003 LIFE
book, “The American Spirit, Meeting the Challenge of September 11.”
Christian
Fuchs was a journalist in the U.S. Navy from 1990 through 1996.
While in the Navy, Mr. Fuchs worked as a broadcast journalist on Crete and
Diego Garcia. During these assignments, Mr. Fuchs was primarily responsible
for producing television newscasts. Later he worked at the newspaper Pacific
Stars & Stripes in Tokyo; first as a copy-editor and then as a staff
photojournalist. While at PS&S, Mr. Fuchs photographed and wrote stories.
Mr. Fuchs received a Master’s degree in photojournalism from Syracuse
University in 2002. He is now a photo editor at The Washington Times in
Washington, D.C.
Gina
Gayle grew up surrounded by photography and the love of the newspaper
business, which she acquired from her father, the late James Gayle. With
a fully operational black & white darkroom in the basement of her home,
she was a darkroom assistant before she could read. She studied marketing
in college and upon graduation began working for one of the country’s
largest pharmaceutical companies until deciding to return to school. Wanting
to expand on her business acumen but also needing a more creative environment,
Ms. Gayle enrolled in the master’s program at Columbia College Chicago,
where she created a program in Art, Entertainment and Media Management with
a visual arts concentration. The individualized course of study allowed
Ms. Gayle to take art and photography classes to supplement her arts business
courses. While learning how to manage a gallery or museum or even an artist,
she learned the art form as well. For the first time, Ms. Gayle took introductory
photography classes wherein she had to unlearn her method of photography
and re-learn the tried and true practice of it. One internship at the Museum
of Contemporary Photography, housed at Columbia College taught her how collections
are managed, maintained and preserved. Another internship with a renowned
artist and photographer’s representative allowed her to understand
the business side of being an artist and handling that person’s work.
For her graduation requirement, Ms. Gayle wrote a strategic plan for a small
non-profit arts organization on Chicago’s South Side. Moving to New
York, Ms. Gayle worked with non-profit organizations in a variety of capacities
as a project manager and consultant, overseeing staff, artists, budgets
and working on highly visible special events. During this time she also
worked as a photography assistant, studio assistant and freelanced for community
and weekly publications in the New York Tri-State area. In 1999 Ms. Gayle
accepted the Hearst Journalism Fellowship and spent the next two years traveling
the country, spending six months each at the following Hearst newspapers;
the Houston Chronicle, the Midland Michigan Daily News, the Albany (NY)
Times Union and the San Francisco Chronicle. In July 2001, two months before
the completion of her Hearst Fellowship, she was offered a staff photography
position with the San Francisco Chronicle where she worked for two years.
Currently Ms. Gayle is living in New York pursuing a free-lance photography
career and other opportunities.
Kenny
Irby is the Visual Journalism Group Leader at The Poynter Institute.
He is an integral figure in visual journalism education. He is known for
his insightful knowledge of photographic storytelling, innovative management
ideas, and steadfast ethical thinking. He is the founder of Poynter's photojournalism
program. Kenny teaches in seminars and consults in areas of photojournalism,
leadership, ethics, and diversity. He traveled to Russia, South Africa,
Singapore, Jamaica, and Denmark preaching excellence in photojournalism.
He chaired the Unity '99 Visual Task Force; and was Poynter's representative
to the Best of Photojournalism Committee. Among his many accomplishments,
Kenny contributed as a photo editor to three Pulitzer Prize-winning projects
while at Newsday. He was a juror for the Society for News Design, Annual
Pictures of the Year Competition, White House News Photographers' Competition,
and ASNE Community Service Photojournalism Award. Kenny is a recipient of
numerous NPPA awards including the 1999 Joseph Costa Award for outstanding
initiative, leadership, and service in photojournalism, and the 2002 Presidents
Award. Before coming to Poynter, Kenny was a photographer and deputy director
of photography at Newsday, Inc., and a photographer and assistant photo
editor at the The Oakland Press. He holds a BS in photojournalism from Boston
University, and was a Multicultural Management Fellow at the University
of Missouri.
Andre
Jones - When photojournalist Andre Jones looked through the lens
of his video camera, things suddenly became clearer. Change was beckoning
him to take an ultimate faith walk. After 20 years of covering crime scenes
to national moments in history, including the infamous O.J. Simpson trial,
Princess Diana’s untimely funeral, the Columbine tragedy and most
notably, New York City’s 9-11 terrorist attack, the award-winning
photojournalist decided to venture out on his own. Armed with years of remarkable
experience, Jones is refocusing his angle on another playing field. Some
might even say that with the recent launching of Lens for Christ (LFC),
the popular acronym of his former employer, CNN, can now be referred to
as the “Christian” News Network instead of Cable News Network
for the purposes of Jones’ mission. Most recently, he’s trained
over fifty people in various churches who often begin as volunteers, only
later following in his footsteps to pursue the video business themselves.
Said Jones, “That’s what it's all about – building the
best in people." Jones believes real change and inspiration come from
those who can make a difference in the life of another. His professional
commitment is industry noted-with awards too numerous to mention. He teaches
in seminars and consults in areas of photojournalism, leadership and ethics.
Jones has presented on the 2003 Flying Short Course, Judged the 2004 NPPA
awards, A Visual Task force leader for NABJ and a visiting faculty member
of The Poynter Institute. His personal commitments are equally important.
He often encourages and mentors young boys in need, believing that the true
sign of a leader is one who recognizes and acts on the universal and biblical
truth; to whom much is given, much is required.
Larry
Larsen Larry Larsen is a former technologist and currently is the
Multimedia Editor at The Poynter Institute for Media Studies. He has co-authored
Flash 4 Magic, and contributed to The Flash 4 Bible, The Flash 5 Bible,
New Masters of Flash, and Effective Web Animation. Larry is a Macromedia
Certified Flash Developer, a former Macromedia Flash Evangelist, and created
content for the Macromedia Flash 4 CD-ROM as well as all the Flash content
for EyeWire's Flash Foundry. He has taught Flash design courses offered
through ehandson.com and The Urban Solutions Center, and is a regular guest
faculty member at The Poynter Institute in the subject of emerging technologies.
Larry is currently working on a system to bring rich media story telling
to novice users, developed several software applications to this end, and
has a technology patent pending.
Regina
McCombs is a multimedia reporter (photographer/producer) for startribune.com,
the online division of the Star Tribune, Minneapolis-St. Paul. She arrived
there after 13 years as a television photographer and producer at KARE-TV,
the NPPA-winning powerhouse in the Twin Cities. Winner of numerous Best
of Photojournalism and Pictures of the Year International awards for multimedia
storytelling, she is a regular speaker around the country, talking about
finding new ways to tell stories on the Web. For startribune.com, she does
a little bit of lots of things - filing news stories from the field, shooting
video, stills, recording audio, creating slide shows, producing major projects
and training staff in creating multimedia for the Web. She's also taught
classes in online journalism and TV news at the University of Minnesota,
where she (finally) finished her master's degree.
Ryan
Kent Morris – “After serving as a Peace Corps Volunteer
(Kazakhstan 00-02), I began working as a freelance photographer in Washington,
DC. In February 2003, I interned and worked as a photographer’s assistant
with a newly created picture agency on Capitol Hill primarily covering politics
and news around Washington. In the fall of 2003, I became a staff photographer
with the Times Community Newspapers in Virginia and continued to accept
assignment work from magazines, newspapers, NGOs and associations. My family
and I have just relocated to Tampa, where I will continue freelancing and
look forward to collaborating with my wife on multimedia projects (locally
and internationally) as she pursues her PhD in medical anthropology.
Sara
Quinn teaches in the areas of design, typography, illustration,
photo editing, visual storytelling, media convergence and leadership. She
encourages visual journalists to find their voice in the newsroom and to
think beyond traditional job descriptions for ways to contribute their ideas,
passions and abilities. Sara helps participants to explore varied story
forms in print, broadcast and the web. She stresses Craftsmanship in the
marriage of words and images, and puts emphasis on thinking about story
presentation from the varied perspectives of readers and viewers. Sara encourages
conceptual-thinking in design, illustration, photography and presentation.
Prior to Poynter, Sara was AME for visuals at the Sarasota Herald-Tribune,
a multi-edition newspaper which operates a 24-hour cable television station;
presentation director at the Wichita Eagle; design director, magazine editor,
illustrator and book designer at other posts. She has received awards from
the Society for News Design and various other organizations. Sara has been
Juror for the SND annual competition; board member of SND and the American
Institute of Graphic Arts. Sara has a B.A., in journalism and graphic design,
from Wichita State University; an M.A., in illustration, Phi Kappa Phi,
from Syracuse University.
Beth
Reynolds - “I have a strong desire not only to take pictures,
but to share the experiences of my subjects, and hopefully, to give something
back to them through the act of recording their lives. I began shooting
for my school newspaper in the 9th grade. Making photo-documentaries has
been my passion for 15 years. In 1995 I received my MFA in photography from
The Hartford Art School. It is my belief that I can make a difference in
the lives of people who need it most with my camera. I have exhibited documentary
projects in Connecticut, Massachusetts, Florida, and California. In the
last fourteen years I have dealt with the issues of inclusion, health care,
welfare, the environment, immigration and aging. For four years I was a
staff photographer for The Bristol Press Newspaper and a photography instructor
at Tunxis Community College in Connecticut. Currently, I am part-time at
The Arts Center teaching and coordinating the photography and digital imaging
program. I am an adjunct professor at the University of South Florida and
a PEL instructor for Eckerd College. I started my own publishing company,
The Photo-Documentary Press, Inc., in 1998 and continue to photograph issues
with social relevance and publish fine art coffee table books. My first
book was Sisters of Courage: Survivors of Breast and Cervical Cancer (1999).
My second title is Captain, He Bought Eggs: Stories from a Firefighter (2001).”
In 2002, I joined the United States Coast Guard Reserves to be a Public
Affairs Specialist and be a storyteller for the vast missions of the Coast
Guard.”
Jack
Rowland is the Photo Technology Director at the St. Petersburg
Times. During his 20 years there he has worked as a staff photographer,
chief photographer and picture editor and still works as an on-location
picture editor for spot news and sporting events. He also serves as the
Photo Department's liaison to the Times' web site and has helped produce
a number of multimedia photo projects. Known to many as "PwrMacJack"
because of his knowledge of the Macintosh platform and his ability to troubleshoot
technology problems on the fly, Jack spends much of his time training and
equipping photographers for survival in a digital world. Most recently that
training has been utilized with the deployment of photographers and reporters
in Louisiana and Mississippi for coverage of hurricane Katrina. A winner
of numerous photojournalism awards, he is a 1984 graduate of the University
of Florida College of Journalism and Communications. Jack, his wife and
their two children live in Tampa.
Jeff
Saffan joined The Poynter Institute in 1999. He is the A/V Systems
Coordinator and a computer system support specialist. (OS X rules.) He was
instrumental in the design and installation of Poynter's Network Infrastructure,
Communications and Presentation Systems. He came to Poynter from ABC Network
TV where he was a Broadcast Engineer in SMAG, (Systems Maintenance and Assembly
Group). Projects included retrofit of "Good Morning America" studios
and ABC Master Control, installation of "Turning Point" Digital
Edit rooms, retrofit of ABC Field Trucks for 1991 Pan Am Games in Cuba and
Field operations for 1991 and 1992 "New York City Marathon Race."
Jim
Sanchez – “I have been a photographer/photo editor
for the past 22 years. I was 17 when I started as a stringer in 1983 in
my hometown, Battle Creek, Mich. at the Battle Creek Enquirer. In 1991 I
was hired as a staff photographer at the Enquirer and was there for 6 years.
I wanted to try something different and was looking at other newspapers
for a staff photographer position. What I found was the Ithaca Journal in
upstate New York in the Fingerlakes region and became the photo editor of
a staff of three. After a couple years I was promoted to the position as
the photo editor of the Binghamton Press & Sun-Bulletin in Binghamton,
N.Y. for the next 5 years. Last July, I accepted the position as photo editor
at the Corpus Christi Caller-Times as part of the Parity Project through
National Association of Hispanic Journalists and Scripps newspapers.”
William
(Bill) Serne is a Staff Photographer at the St. Petersburg Times.
He has a Bachelor of Science Degree from Kent Stat University, where he
spent two years as photo editor of the Daily Kent Stater and two years as
Sports Editor. He also worked as a staff photographer at the Tampa Tribune.
Awards: Top ten Region Six clip contest numerous times, Two Headliner awards,
NFL Pro Football Contest awards, FSNE First place Picture Story and Sports
action, Atlanta Seminar Photo awards. Southern Short Course awards, member
of Times staff and POY Staff of the Year award. Present photo work includes:
underwater visuals for Sports, photo coverage of the Tampa Bay Buccaneers,
outdoor photos for Sports and Terry Tomalin columns, several photo documentary
(non sports) stories each year.
Jennette Smith is program assistant for Visual Journalism at Poynter. She began working at Poynter in August 1990 as a faculty secretary in the Management and Leadership programs. Jennette is a native of Florida who grew up in New Jersey and New York. She moved to St. Petersburg in 1979 and has held a variety of positions with the City of St. Petersburg, the now defunct Fotomat, and the St. Petersburg Times.
Mike
Stocker has been a staff photographer at the South Florida Sun-Sentinel
since 1998. He covers the community that he grew up in, and has also had
the opportunity to work on photo projects in various parts of the world.
Prior to working at the Sun-Sentinel, Mike was a staff photographer at the
Miami Herald, and at the Hollywood Sun-Tattler. He is married to Susan Stocker,
also a staff photographer at the Sun-Sentinel. They have two children, Mimi,
12, and Ben, 9.
Terry
Tomalin, St. Petersburg Times Outdoors Editor was born in New York
City, the eighth of nine children. After a brief stint at American University
in Washington D.C., where he drank beer and played rugby, Tomalin transferred
to the University of South Florida where he discovered that the school of
Mass Communications had the least amount of required classes. A solid B
student, Tomalin studied Viking history, Shakespeare and Canoeing, framing
houses by day and writing for the USF student newspaper, The Oracle, at
night. In 1983, he won a Hearst Award for Investigative Journalism, then
used the money to backpack through Europe, as part of an in-depth story
on “Pubs of the Olde World.’’ Returning to the U.S. with
$20 in his pocket, Tomalin took a job with the Leesburg Daily Commercial
where he covered police, county government and the local livestock market.
After 18 months, he joined the staff of the Lakeland Ledger and spent the
next two years writing about trailer park murders and chasing the Ku Klux
Klan. The stories led to the resignation of Polk County Sheriff Dan Daniels
and earned Tomalin the Scripps Howard award for Public Service Journalism.
Tomalin came to the St. Petersburg Times in October of 1986, covered night
cops in Clearwater and embarked on another investigation of a local sheriff.
Sheriff Gerry Coleman lost the subsequent election and Tomalin used the
money he won in Lakeland to travel through New Zealand and Australia, where
he continued his studies of international beers. Returning to the U.S. in
1989, Tomalin briefly covered the Pinellas County Commission, but after
his 100th zoning story, he threatened to quit and join the French Foreign
Legion. The Times responded by finding a place for him in Sports. Over the
past 15 years, Tomalin has written about everything from paddling an outrigger
canoe to Bimini to swimming around Key West. Tomalin has received numerous
awards over the years, but his greatest thrills were the births of his son
and daughter. Tomalin lives in St. Petersburg with his children, wife Kanika,
and naughty Labrador retrievers, Lucy and Sara. Tomalin is currently seeking
a Masters in Florida Studies, where his area of interest is the Pre-Columbian
maritime epic.
Al
Tompkins joined Poynter in 1998 after 25 years as a journalist,
including serving as a reporter, investigative reporter, Director of Special
Projects and Investigations and then was appointed News Director, WSMV Nashville.
Under his direction, WSMV was Nashville's leading news station. Al is the
Group Leader for Broadcast and Online at the Poynter Institute Daily. Al
writes Poynter's Al's Morning Meeting column http://www.alsmorningmeeting.com
which is a daily story idea service currently read by more than 8,000 people
daily. In 2002, Al authored and published his new book about writing and
reporting for TV News, "Aim for the Heart" a guide for reporters,
producers and photojournalists. To read an excerpt go to http://www.aimfortheheart.com
1999-2002. Al and Bob Steele Co-authored the Radio and Television News Director
Foundation's Newsroom Ethics workbook and tape series which was presented
in workshops in 21 US Cities coast to coast. Al has been awarded some of
Broadcasting's highest awards including: The National Emmy, 7 National Headliner
Awards, The Peabody (team award) , The Iris, 3 Gabriel Awards, The Japan
Prize and The Clarion Award for investigative, documentary and public service
reporting
Jorge
Velasquez – “My career began in the 70’s when
I started taking pictures for my high school paper. I continued in college,
culminating with a Bachelor of Arts Degree from San Diego State in Television
and Radio with a Minor in Photojournalism. My first broadcast challenge
came soon after I got out of college. I started a television advertising
business in the small gold mining town of Grass Valley, Calif. I engineered,
produced, shot, edited and sold TV spots. The spots ran on local cable channels.
The challenge was to convince mom and pop businesses to advertise on television.
After almost 9 successful years, it was time for a change. My next adventure
took my family and me to San Luis Obispo, Calif., where I began working
at KSBY-TV. I was fortunate to be surrounded by a group of talented reporters
and photographers. KSBY was a great shop to learn the trade. After two and
a half years, I took a deep breath and made a monumental jump to the number
one TV station in California’s capitol, KCRA. Almost 10 years later
I managed to exhale and continue to be a staff photographer. I’ve
been fortunate to have won some local awards. My pride and joy story came
two years ago when I was asked to shoot, help field produce and edit a six
month long television special titled Susan’s Story. The program went
on to win three producing/writing Emmys. And this year, I was twice nominated
by the academy for two stories I field produced, shot and edited. I’m
a firm believer in “seeking greatness, that is, seek the masters of
the trade and learn from their examples.”
Joseph
Martin (Joe) Weiss has worked as a photojournalist, multimedia
reporter, designer, programmer, producer and editor in print and online
media since 1996. He's currently an interactive producer at The News &
Observer in Raleigh, N.C. Previously he was the Director of Photography
and Multimedia at The Herald-Sun in Durham, N.C. and twice worked for MSNBC.com
as a multimedia producer in Redmond, Wash. His multimedia reports have garnered
national and international recognition including the Online Journalism Award
for Creative Use of the Medium from the Online News Association and the
Columbia Graduate School of Journalism and two Digital Edge awards from
the NAA. He has judged several prestigious awards including the Society
for News Design's Interactive Design Awards, Pictures of the Year International
and the Online News Association's Online Journalism Awards. Weiss frequently
speaks at seminars and universities concerning the integration of photojournalism,
audio reportage and multimedia technology. He started his life in journalism
as a photographer at The Herald-Sun after attending the University of North
Carolina at Wilmington and Randolph Community College.